Michael Moore ? Take This!

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Vitaliy Katsenelson

I don’t do movie reviews, and I haven’t watched Michael Moore’s previous movies.  But when a Denver Post reporter invited me to a private showing of Moore’s latest flick, “Capitalism: a Love Story,” its subject matter enticed me to check it out. 

In the 1980s in Soviet Russia, a few times a year, my class walked to a movie theater, where we were shown a documentary.  Attendance was mandatory.  The documentaries were different but the themes were the same: To the accompaniment of patriotic music, we learned about the righteousness of socialism, the greatness of Mother Russia, and the intelligence and foresight of our great leaders. 

To demonstrate how good we had it, we were shown images of “decaying” American capitalism.  Of course, capitalism was depicted without the backdrop of patriotic music and replete with images of poverty-stricken homelessness, the KKK burning crosses and lynching blacks, and Russia-hating capitalists being poisoned by hamburgers (of course, later I learned this part about hamburgers was not a complete lie). 

By contrast, this past weekend, Americans voluntarily spent a few million dollars to see a movie by Michael Moore – “Capitalism: A Love Story” in much the same vein.  Any who believed they were seeing a documentary were kidding themselves.  It lacks objectivity and has no intention of seeking the truth.  It is anti-American and anti-capitalist propaganda.  Moore is a talented propagandist; in Soviet Russia this documentary would have gotten him a medal and elevated him to a state hero. 

Successful propaganda has three elements: (1) to influence attitudes, instead of providing information, (2) to selectively present facts (i.e., lying by omission) to convey its message, and (3) to get an emotional rather than a rational response.

There is little information in this movie.  Moore spends the bulk of the film going through our country’s trash and presenting it as the main course.  For instance, a corrupt judge sentences innocent teenagers to spend months at a privately owned (i.e., for-profit, nongovernmental) juvenile correctional facility, while getting kickbacks from the facility owners.  Moore interviews these poor teenagers and we feel bad for them, as we should.  We feel angry.  Moore directs this anger towards capitalism (i.e., private enterprise): It is rotten and corrupt, he tells us.  Of course, the fact that corruption and bribery are the rare exception in the US, not the rule (as in Russia), is never mentioned.